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Total de Resultados: 103

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alb3657843 The Entombment, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 8 1/16 x 5 7/16 in. (20.5 x 13.8 cm). Date: 1596.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.
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alb3664131 Christ before Pilate, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: Sheet: 7 13/16 × 5 1/8 in. (19.8 × 13 cm). Date: 1596.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.
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alb3733625 Neptune. Dated: probably 1592. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Polidoro da Caravaggio.
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alb3698628 Jupiter. Dated: probably 1592. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Polidoro da Caravaggio.
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alb3702245 Mars and Venus. Dated: 1588. Dimensions: plate: 44.1 x 33 cm (17 3/8 x 13 in.) sheet: 44.4 x 33.4 cm (17 1/2 x 13 1/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Bartholomaeus Spranger Hendrik Goltzius.
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alb3744717 The Cult of Venus. Dated: 1596. Dimensions: plate: 44.9 x 32 cm (17 11/16 x 12 5/8 in.) sheet: 45.7 x 33 cm (18 x 13 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jan Pietersz Saenredam.
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alb3720274 Icarus. Dated: 1588. Dimensions: sheet: 32.8 x 33 cm (12 15/16 x 13 in.) (trimmed to plate mark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Cornelis Cornelisz van Haarlem Hendrik Goltzius.
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alb3729824 Mercury Enamored of Herse. Dated: 1590. Dimensions: sheet: 17.8 x 25.2 cm (7 x 9 15/16 in.) sheet: 19.5 x 26.9 cm (7 11/16 x 10 9/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Dutch 16th Century after Hendrik Goltzius.
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alb3626954 The Dragon Devouring the Companions of Cadmus. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); After painting by Cornelis van Haarlem (Netherlandish, 1562-1638). Dimensions: sheet: 9 15/16 x 12 1/2 in. (25.2 x 31.8 cm). Date: 1588. Museum: Metropolitan Museum of Art, New York, USA.
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alb3718902 Phaeton. Dated: 1588. Dimensions: plate: 33 x 33.1 cm (13 x 13 1/16 in.) sheet: 33 x 34.1 cm (13 x 13 7/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Cornelis Cornelisz van Haarlem Hendrik Goltzius.
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alb3719080 Ixion. Dated: 1588. Dimensions: sheet: 30.9 cm (12 3/16 in.) (round, cut within platemark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Cornelis Cornelisz van Haarlem.
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alb3720481 Tantalus. Dated: 1588. Dimensions: sheet: 33 x 33.1 cm (13 x 13 1/16 in.) (trimmed to plate mark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Cornelis Cornelisz van Haarlem Hendrik Goltzius.
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alb3714874 Ovid's Metamorphoses. Dated: c. 1600. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hendrik Goltzius.
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alb3703681 Venus, Bacchus, and Ceres. Dated: probably 1588. Dimensions: sheet: 29.6 x 21.4 cm (11 5/8 x 8 7/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Matham after Hendrik Goltzius.
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alb3707035 Vulcan. Dated: probably 1592. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Polidoro da Caravaggio.
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alb3707093 Jupiter in the Disguise of Diana Seduces Callisto. Dimensions: plate: 17.5 x 25 cm (6 7/8 x 9 13/16 in.) plate: 19.3 x 26.2 cm (7 5/8 x 10 5/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrick Goltzius Workshop of Hendrick Goltzius.
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alb3708818 Perseus and Andromeda. Dated: 1597. Dimensions: plate: 26.7 x 37.1 cm (10 1/2 x 14 5/8 in.) sheet: 27.1 x 37.5 cm (10 11/16 x 14 3/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Matham after Hendrik Goltzius.
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alb3708311 Apollo Killing Coronis. Dimensions: plate: 17.5 x 25 cm (6 7/8 x 9 13/16 in.) sheet: 17.8 x 25.5 cm (7 x 10 1/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrick Goltzius Workshop of Hendrick Goltzius.
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alb3678520 The Four Elements. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Jacob Matham (Netherlandish, Haarlem 1571-1631 Haarlem). Dimensions: Sheet: 11 3/4 × 8 3/16 in. (29.8 × 20.8 cm). Date: 1588. Museum: Metropolitan Museum of Art, New York, USA. Author: After Hendrick Goltzius. Jacob Matham.
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alb3736834 Mercury. Dated: probably 1592. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Polidoro da Caravaggio.
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alb3733643 Eros and Anteros. Dated: probably 1588. Dimensions: sheet: 29.2 x 21.2 cm (11 1/2 x 8 3/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Matham after Hendrik Goltzius.
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alb3730268 Prometheus Making Man and Animating Him with Fire from Heaven. Dimensions: plate: 17.5 x 25.1 cm (6 7/8 x 9 7/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrick Goltzius Workshop of Hendrick Goltzius.
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alb3698754 Ovid's Metamorphoses. Dated: c. 1600. Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hendrik Goltzius.
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alb3698566 Samarian Woman at the Well. Dimensions: sheet: 18.6 x 13.7 cm (7 5/16 x 5 3/8 in.) (trimmed to plate mark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jan Pietersz Saenredam.
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alb3628159 Mercury and Battus. Artist: Possibly by Robert Willemsz de Baudous (Netherlandish, 1574/5-1659); After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 6 7/8 x 9 7/8 in. (17.4 x 25.1 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: After Hendrick Goltzius. Possibly by Robert Willemsz de Baudous.
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alb3745053 Sol or Apollo. Dated: probably 1592. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Polidoro da Caravaggio.
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alb3615660 The Circumcision. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: Image: 18 1/4 x 13 13/16 in. (46.4 x 35.1 cm). Date: n.d..The series to which this engraving belongs is commonly known as Goltzius's Meisterstiche, or masterpiece--by analogy with the three famous Meisterstiche by his great predecessor Albrecht Dürer. In a remarkable demonstration of virtuosity in the series, Goltzius imitated the styles of various masters in compositions of his own invention. In this case, he looked to the composition of Dürer's woodcut Circumcision from the series The Life of the Virgin, but created his new work in the engraving style of the great master. Goltzius's imitation of Dürer was so successful, his biographer van Mander recounted, that art lovers bought impressions as original works by Dürer. Goltzius, however, revealed his deception by including his own portrait among the crowd in the right background, a scene he set in the local Church of Saint Bavo in Haarlem.The four other prints in the series relate to the work of various Italian masters who are not as readily identifiable; Raphael, Parmigianino, Jacopo Bassano, Titian, and Federico Barocci have been proposed. Goltzius's models, however, do not seem to have been their paintings but the widely circulated prints by Northern engravers after their work. In this puzzle for connoisseurs, Goltzius established his virtuosity as a printmaker, outshining contemporary engravers and attempting to equal great early ones. Such efforts to outdo artists of the past dominated much of his artwork from the 1590s onward. Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.
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alb3727184 Coronis Changed into a Crow. Dated: 1589. Dimensions: plate: 18.7 x 26 cm (7 3/8 x 10 1/4 in.) sheet: 20.2 x 27.5 cm (7 15/16 x 10 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrick Goltzius Workshop of Hendrick Goltzius.
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alb9880577 Portrait of Hans Bol, 1534-1593, Flemish painter, draughtsman and printmaker. John Bol. Tinted etching within a decorative border by John Girtin after a portrait by Hendrik Goltzius from John Girtins Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. MCreery, London, 1817.
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alb3718837 Arcas Preparing to Kill His Mother. Dimensions: overall: 17.5 x 25.5 cm (6 7/8 x 10 1/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrick Goltzius Workshop of Hendrick Goltzius.
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alb3701156 Johannes Zurenus (Jan van Suren). Dated: 1590. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Maerten van Heemskerck.
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alb3699144 Musketeer. Dated: 1587. Dimensions: plate: 21.2 x 15.6 cm (8 3/8 x 6 1/8 in.) sheet: 33.9 x 25.1 cm (13 3/8 x 9 7/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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alb3741297 Jael and Sisera. Dated: 1588. Dimensions: plate: 27 x 16.8 cm (10 5/8 x 6 5/8 in.) sheet: 27.6 x 16.8 cm (10 7/8 x 6 5/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Matham after Hendrik Goltzius.
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alb3705435 Johannes Zurenus (Jan van Suren). Dated: 1590. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Maerten van Heemskerck.
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alb3717122 Mercury Entering Herse's Room. Dated: 1590. Dimensions: plate: 17.8 x 25.6 cm (7 x 10 1/16 in.) sheet: 18.4 x 26.1 cm (7 1/4 x 10 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Dutch 16th Century after Hendrik Goltzius.
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alb3717144 Ovid's Metamorphoses. Dated: c. 1600. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hendrik Goltzius.
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alb3719274 When Your Purse Is Empty, You Eat Bones Not Bacon. Dated: c. 1592. Dimensions: plate: 24 x 17.2 cm (9 7/16 x 6 3/4 in.) sheet: 39.7 x 27.4 cm (15 5/8 x 10 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Karel van Mander Workshop of Hendrick Goltzius I.
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alb3714292 Morning. Dated: c.1595-1598. Dimensions: plate: 21.2 x 15 cm (8 3/8 x 5 7/8 in.) sheet: 21.4 x 15.2 cm (8 7/16 x 6 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jan Pietersz Saenredam.
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alb3708573 Colonel. Dated: 1587. Dimensions: plate: 21.2 x 15.5 cm (8 3/8 x 6 1/8 in.) sheet: 34.6 x 24.7 cm (13 5/8 x 9 3/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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alb3700083 The Holy Family. Dated: 1585. Dimensions: sheet (trimmed within plate mark): 16.7 x 11.8 cm (6 9/16 x 4 5/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Bartholomaeus Spranger.
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alb3679914 The Adoration of the Magi. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); After Bernardino Passeri (Italian, active Rome, ca. 1577-85). Dimensions: sheet: 7 13/16 x 5 3/4 in. (19.9 x 14.6 cm). Date: ca. 1585. Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS. After Bernardino Passeri.
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alb3735521 Bacchus. Dated: probably 1592. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Polidoro da Caravaggio.
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alb3733192 The Bagpipe Must Be Filled. Dated: c. 1592. Dimensions: plate: 24.4 x 17 cm (9 5/8 x 6 11/16 in.) sheet: 39.7 x 27.2 cm (15 5/8 x 10 11/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Karel van Mander Workshop of Hendrick Goltzius I.
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alb3735686 Apollo Entrusting Chiron with the Education of Asclepius. Dimensions: overall: 17.9 x 25.4 cm (7 1/16 x 10 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrick Goltzius Workshop of Hendrick Goltzius.
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alb3730045 Night. Dated: c.1595-1598. Dimensions: sheet: 21.2 x 15.1 cm (8 3/8 x 5 15/16 in.) (trimmed to plate mark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jan Pietersz Saenredam.
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alb3738354 Smell. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jan Pietersz Saenredam after Hendrik Goltzius.
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alb3620132 Christ Before Caiaphas, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.7 cm). Date: 1597.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.
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alb3741687 Poverty is Easier to Bear Than Luxury. Dated: c. 1592. Dimensions: plate: 24.1 x 17.1 cm (9 1/2 x 6 3/4 in.) sheet: 39.5 x 27.3 cm (15 9/16 x 10 3/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Karel van Mander Workshop of Hendrick Goltzius I.
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alb3742272 Sight. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jan Pietersz Saenredam after Hendrik Goltzius.
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alb3744509 Pride. Dimensions: plate: 32.3 x 16.9 cm (12 11/16 x 6 5/8 in.) sheet: 37.8 x 26 cm (14 7/8 x 10 1/4 in.). Medium: engraving in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Matham after Hendrik Goltzius.
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alb3724976 Provost. Dated: 1587. Dimensions: plate: 21.2 x 15.7 cm (8 3/8 x 6 3/16 in.) sheet: 34.1 x 25.4 cm (13 7/16 x 10 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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alb3726926 Saturn. Dated: 1592. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Polidoro da Caravaggio.
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alb3726133 Do Not Spend Your Savings Too Soon. Dated: c. 1592. Dimensions: plate: 24.4 x 17.5 cm (9 5/8 x 6 7/8 in.) sheet: 39.6 x 27.4 cm (15 9/16 x 10 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Karel van Mander Workshop of Hendrick Goltzius I.
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alb3662474 The Wisdom of Fools, from Six Proverbs. Artist: Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague); after Karel van Mander I (Netherlandish, Meulebeke 1548-1606 Amsterdam). Dimensions: sheet: 9 5/8 x 6 7/8 in. (24.5 x 17.5 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: Jacques de Gheyn II. After Karel van Mander I.
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alb3708269 The Daughters of Cecrops. Dated: 1590. Dimensions: plate: 17.8 x 25.5 cm (7 x 10 1/16 in.) sheet: 19 x 26.7 cm (7 1/2 x 10 1/2 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Dutch 16th Century, after Hendrik Goltzius.
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alb3604434 Fides (copy). Artist: Anonymous, Dutch, 17th century; After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 9 3/16 x 6 3/8 in. (23.4 x 16.2 cm). Publisher: Joannes de Ram (Dutch, Amsterdam 1648-1696 Amsterdam). Date: late 17th century. Museum: Metropolitan Museum of Art, New York, USA. Author: After Hendrick Goltzius. Anonymous, Dutch, 17th century.
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alb3726877 The Wedding of Cupid and Psyche. Dated: 1587. Dimensions: image: 43.7 x 85.7 cm (17 3/16 x 33 3/4 in.) sheet: 46.5 x 87.8 cm (18 5/16 x 34 9/16 in.) Overall (left pl): 43.7 x 28.6 cm (17 3/16 x 11 1/4 in.) overall (center pl): 43.4 x 28.3 cm (17 1/16 x 11 1/8 in.) overall (right pl): 43.6 x 28.6 cm (17 3/16 x 11 1/4 in.). Medium: engraving from three plates printed on three sheets of attached laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Bartholomaeus Spranger.
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alb3735173 William of Nassau, Prince of Orange. Dimensions: sheet (trimmed within plate mark): 18.6 x 14.2 cm (7 5/16 x 5 9/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Christoffel van Sichem I after Hendrik Goltzius.
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alb3723738 Evening. Dated: c.1595-1598. Dimensions: plate: 21 x 15 cm (8 1/4 x 5 7/8 in.) sheet: 21.1 x 15.1 cm (8 5/16 x 5 15/16 in.). Medium: engraving laid on paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jan Pietersz Saenredam.
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alb3734919 Taste. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jan Pietersz Saenredam after Hendrik Goltzius.
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alb3733525 The Cult of Ceres. Dated: 1596. Dimensions: plate: 44.4 x 32.3 cm (17 1/2 x 12 11/16 in.) sheet: 45 x 32.9 cm (17 11/16 x 12 15/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jan Pietersz Saenredam.
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alb3699513 Judith with the Head of Holofernes. Dimensions: sheet: 13.5 x 10.3 cm (5 5/16 x 4 1/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Christoffel van Sichem I.
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alb3741332 Winter. Dated: 1589. Dimensions: sheet (diameter): 25.7 cm (10 1/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Matham after Hendrik Goltzius.
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alb3713827 The Cult of Bacchus. Dated: 1596. Dimensions: plate: 44.3 x 32.3 cm (17 7/16 x 12 11/16 in.) sheet: 45.6 x 33 cm (17 15/16 x 13 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jan Pietersz Saenredam.
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alb3713553 Midday. Dated: c.1595-1598. Dimensions: sheet: 21.1 x 15 cm (8 5/16 x 5 7/8 in.) (trimmed to plate mark). Medium: engraving laid on paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jan Pietersz Saenredam.
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alb3705165 Saturn. Dated: 1597. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacob Matham after Hendrik Goltzius.
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alb3707652 Young Man Playing the Cymbal. Dimensions: sheet (trimmed to borderline): 30.8 x 21.6 cm (12 1/8 x 8 1/2 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christoffel van Sichem I after Hendrik Goltzius.
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alb3732762 The Scales of Marriage. Dated: c. 1592. Dimensions: plate: 24.2 x 17.1 cm (9 1/2 x 6 3/4 in.) sheet: 39.7 x 27.1 cm (15 5/8 x 10 11/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Karel van Mander Workshop of Hendrick Goltzius I.
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alb3724746 Venus and Cupid. Dated: c.1587. Dimensions: plate: 20.5 x 15.2 cm (8 1/16 x 6 in.) sheet: 38.3 x 26.8 cm (15 1/16 x 10 9/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrick Goltzius attributed to Jacob Matham.
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alb3722756 Pikeman. Dated: 1587. Dimensions: plate: 21.2 x 15.6 cm (8 3/8 x 6 1/8 in.) sheet: 34 x 24.7 cm (13 3/8 x 9 3/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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alb3724001 Soldier with Arquebus. Dated: 1587. Dimensions: plate: 21.2 x 15.6 cm (8 3/8 x 6 1/8 in.) sheet: 35.4 x 25.2 cm (13 15/16 x 9 15/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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alb3719810 Drummer. Dated: 1587. Dimensions: plate: 21.2 x 15.5 cm (8 3/8 x 6 1/8 in.) sheet: 34.9 x 25 cm (13 3/4 x 9 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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alb4135851 Saint Luke, plate three from The Four Evangelists. Jacob de Gheyn II (Dutch, 1565-1629); after Hendrick Goltzius (Dutch, 1558-1617). Date: 1588. Dimensions: 150 mm diameter (image); 170 diameter (plate); 180 x 178 mm (sheet). Engraving in black on laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Jacob de Gheyn, II.
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alb3608487 Farnese Hercules. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 16 9/16 x 11 15/16 in. (42.1 x 30.4 cm). Date: ca. 1592, dated 1617.It was Goltzius' poor health as well as his desire to see the treasures of Rome that inspired him to travel to Italy in 1590--91. Supposedly, the famed Dutch printmaker traveled incognito in order to avoid social obligations that might distract from his real purpose, which was sketching and studying antique sculptures. The ancient Roman statue known as the Farnese Hercules had been discovered in the Baths of Caracalla in Rome in 1546, and installed in a courtyard of the Farnese family's palace on the banks of the Tiber, where it was one of the highlights of the Roman tour for visiting scholars, connoisseurs, and artists. When Goltzius drew the statue, the legs he saw were substitutions that had been made by Guglielmo della Porta in 1560--although the ancient legs had been found soon after the rest of the statue, Michelangelo convinced the Farnese that the modern ones were just as good.The two figures looking up at the massive statue in the lower right corner of the engraving have never been satisfactorily identified. Perhaps, as was suggested by the eighteenth-century Dutch artist and collector Cornelis Ploos van Amstel, they are a self-portrait and a portrait of the artist's stepson Jacob Matham, who was also an engraver.The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. As the line winds around the forms, expanding and contracting, it gives great sculptural force to the curves and bulges of the hero's body. The engraving by Goltzius, unusual for its viewpoint and its inclusion of observers, was one of a long series that had spread the fame of the statue, including one by Jacob Bos (41.72[2.63]) that provides the more common front view of the Hercules. Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.
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alb3628867 Ecce Homo, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 8 1/8 x 5 3/8 in. (20.7 x 13.7 cm). Date: 1597.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.
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alb3627883 The Agony in the Garden, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.7 cm). Date: 1597.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.
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alb3658363 The Betrayal of Christ, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Anonymous. Dimensions: Sheet: 7 13/16 x 5 1/16 in. (19.8 x 12.8 cm). Date: ca. 1598-1617. Museum: Metropolitan Museum of Art, New York, USA.
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alb3611143 The Last Supper, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 7 7/8 x 5 1/4 in. (20 x 13.3 cm). Date: 1598.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.
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alb3648138 The Flagellation, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Anonymous. Dimensions: Sheet: 7 11/16 × 4 15/16 in. (19.5 × 12.6 cm). Date: ca. 1598-1617. Museum: Metropolitan Museum of Art, New York, USA.
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alb3646512 The Resurrection, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 8 1/8 x 5 1/2 in. (20.6 x 13.9 cm). Date: 1596.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.
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alb3661528 Christ on the Cross, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Anonymous. Dimensions: Sheet: 7 5/8 in. × 5 in. (19.4 × 12.7 cm). Series/Portfolio: Set of copies: Hirschmann p. 18 and Dutuit IV.412. Date: ca. 1598-1617. Museum: Metropolitan Museum of Art, New York, USA.
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alb3669249 The Crowning with Thorns, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: Sheet: 7 11/16 x 5 1/16 in. (19.5 x 12.9 cm). Date: 1597.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltzius's own lifetime and well beyond. This is evidenced by a very deceptive set of copies produced in Goltzius's own studio and six additional sets of copies dating from the late 1590s to the mid-seventeenth century. In addition to having two sets of the Goltzius's original prints, the Met has three different sets of copies and a single plate from a fourth (see 51.501.168(1-12), 53.601.336(25-36) 51.501169(1-12) and 51.501.170). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.
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alb3715429 Sergeant. Dated: 1587. Dimensions: plate: 21.2 x 15.6 cm (8 3/8 x 6 1/8 in.) sheet: 35.4 x 25.5 cm (13 15/16 x 10 1/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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alb3661408 The Flagellation, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Ludovicus Siceram (Flemish, active Antwerp, ca. 1623). Dimensions: sheet: 7 11/16 in. × 5 in. (19.6 × 12.7 cm). Date: ca. 1623. Museum: Metropolitan Museum of Art, New York, USA.
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alb4136258 Saint John, plate four from The Four Evangelists. Jacob de Gheyn II (Dutch, 1565-1629); after Hendrick Goltzius (Dutch, 1558-1617). Date: 1588. Dimensions: 150 mm diameter (image); 170 mm diameter (plate); 179 x 178 mm (sheet). Engraving in black on laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Jacob de Gheyn, II.
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alb4135440 Saint Matthew, plate one from The Four Evangelists. Jacob de Gheyn II (Dutch, 1565-1629); after Hendrick Goltzius (Dutch, 1558-1617). Date: 1588. Dimensions: 150 mm diameter (image); 170 mm diameter (plate); 182 x 183 mm (sheet). Engraving in black on laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Jacob de Gheyn, II.
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alb4134675 Saint Mark, plate two from The Four Evangelists. Jacob de Gheyn II (Dutch, 1565-1629); after Hendrick Goltzius (Dutch, 1558-1617). Date: 1588. Dimensions: 150 mm diameter (image); 170 mm diameter (plate); 179 x 183 mm (sheet). Engraving in black on laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Jacob de Gheyn, II.
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alb4134318 The Physician Considered as God, plate one from Allegories of the Medical Profession. Unknown Artist (Dutch, active 16th century); after Hendrick Goltzius (Dutch, 1558-1617). Date: 1582-1592. Dimensions: 174 x 225 mm (image); 185 x 225 mm (plate/sheet). Engraving on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.
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alb3724025 Standard Bearer. Dated: 1587. Dimensions: plate: 21.2 x 15.2 cm (8 3/8 x 6 in.) sheet: 33.7 x 25 cm (13 1/4 x 9 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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alb3717190 Pluto. Dated: probably 1592. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius after Polidoro da Caravaggio.
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alb3721249 Pallas (Minerva). Dated: 1596. Dimensions: sheet: 33.9 x 25 cm (13 3/8 x 9 13/16 in.) (trimmed within plate mark). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jan Pietersz Saenredam.
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alb3699459 Judith with the Head of Holofernes. Dated: c. 1586-1587. Dimensions: plate: 17 x 17 cm (6 11/16 x 6 11/16 in.) sheet: 18.2 x 18.3 cm (7 3/16 x 7 3/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Bartholomaeus Spranger Hendrik Goltzius.
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alb3645780 Judith and the Head of Holofernes. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Jan (Pietersz.) Saenredam (Netherlandish, Zaandam 1565-1607 Assendelft). Dimensions: Sheet (Trimmed): 11 in. × 7 7/8 in. (28 × 20 cm). Date: 1575--1607. Museum: Metropolitan Museum of Art, New York, USA.
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alb3698177 Saint Paul. Dated: 1589. Dimensions: plate: 30.2 x 21 cm (11 7/8 x 8 1/4 in.) sheet: 30.5 x 21.1 cm (12 x 8 5/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Hendrik Goltzius Jacques de Gheyn II.
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alb3745142 Saint Peter. Dated: 1589. Dimensions: plate: 30.4 x 21 cm (11 15/16 x 8 1/4 in.) sheet: 30.5 x 21.1 cm (12 x 8 5/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Jacques de Gheyn II, after Hendrik Goltzius.
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alb3747506 Treasurer. Dated: 1587. Dimensions: plate: 21 x 15.2 cm (8 1/4 x 6 in.) sheet: 36 x 25 cm (14 3/16 x 9 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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alb3737011 Venus and Cupid. Dated: 1596. Dimensions: plate: 34.3 x 25.5 cm (13 1/2 x 10 1/16 in.) sheet: 35.6 x 25.9 cm (14 x 10 3/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jan Pietersz Saenredam, after Hendrik Goltzius.
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alb3740237 Helmeted Musketeer. Dated: 1587. Dimensions: plate: 21.2 x 15.7 cm (8 3/8 x 6 3/16 in.) sheet: 34.7 x 25.4 cm (13 11/16 x 10 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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alb3700567 Soldier Armed with Broadsword and Shield. Dated: 1587. Dimensions: plate: 21.2 x 15.6 cm (8 3/8 x 6 1/8 in.) sheet: 32.2 x 25 cm (12 11/16 x 9 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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alb3697816 Lieutenant-Colonel. Dated: 1587. Dimensions: plate: 21.2 x 15.5 cm (8 3/8 x 6 1/8 in.) sheet: 34.8 x 25 cm (13 11/16 x 9 13/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacques de Gheyn II after Hendrik Goltzius.
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Total de Resultados: 103

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